Archive for the 'Europe & Russia' Category

The World Is Big and Salvation Lurks Around the Corner (Светът е голям и спасение дебне отвсякъде) Review

Together with Kamen Kalev’s more recent but equally outstanding production Eastern Plays (2009), Bulgarian director Stephan Komandarev’s The World Is Big and Salvation Lurks Around the Corner puts the country on the cinematic roadmap of Europe.

Biutiful Review

If you’ve ever heard the expression “like watching paint dry” used to describe a film, watching Biutiful will provide visual confirmation of the physical possibility of such phenomena.

How I Ended This Summer (Как я провёл этим летом) Review

Beautifully photographed and uniquely atmospheric, Aleksei Popogrebsky’s new film How I Ended This Summer is the latest entry in an emerging Russian art house trend.

Soul Kitchen Review

Vibrant, kinetic and beautifully shot, Soul Kitchen is the newest offering from award-winning Turkish-German director Fatih Akin, a dynamic picture that hits the ground running and never slows down, with life relentlessly throwing punch after punch at its central characters.

Cashback Review

Like life itself, Sean Ellis’ film Cashback is a fleeting, vibrant and bittersweet experience, with its ups and downs masterfully acted out and captured on celluloid thanks to stellar performances from everyone involved.

Sergei Loznitsa’s My Joy (Schastye Moye) picked up by Kino International for US distribution

Kino International has acquired American distribution rights for Ukrainian director Sergei Loznitsa’s new film My Joy (Счастье мое), which screened at the Cannes Film Festival earlier this year and is set for a North American premiere at the New York Film Festival next Thursday.

Strayed (Заблудившийся) Review

From Boratland comes Akan Satayev’s bold new supernatural thriller Strayed (Zabludivshijsya), an eerie, atmospherically rich effort of unprecedented quality for Central Asian productions in the genre.

Eastern Plays (Източни пиеси) Review

Part of the nascent renaissance in Bulgarian cinema, exemplified most prominently by Stephan Komandarev’s Oscar contender The World Is Big and Salvation Lurks Around the Corner (2008), Kamen Kalev’s new film Eastern Plays offers a much-needed fresh take on the modern Eastern European experience.