Archive for the 'Reviews' Category



I Saw the Devil (악마를 보았다) Review

A work on the order of such masterpieces as Se7en (1995), Silence of the Lambs (1991) and Memories of Murder (2003), I Saw the Devil is likely the most complete revenge story you’ll ever see.

The Man Who Copied (O Homem Que Copiava) Review

Jorge Furtado’s optimist-driven film The Man Who Copied is a landmark achievement in modern Brazilian cinema, an emotionally complete work that does not shy away from putting the spotlight on socioeconomic problems caused by the country’s high crime rate and great wealth divide between the rich and the poor, yet manages to remain light, graceful and filled with positive energy.

Wrong Turn Review

A stylish modern take on the classic American horror story, Wrong Turn remains an impressive example of horror cinema done right seven years after its initial release at the peak of the slasher genre revival in 2003.

Uncle Boonmee Who Can Recall His Past Lives Review

In choosing Uncle Boonmee Who Can Recall His Past Lives to receive the Palme d’Or award, a decision which effectively ensured the Thai art film’s international distribution and exposure to a wider audience, the jury at this year’s Cannes Film Festival surely forgot to mention an important detail about their selection process – precisely what it was they’d been smoking.

Cashback Review

Like life itself, Sean Ellis’ film Cashback is a fleeting, vibrant and bittersweet experience, with its ups and downs masterfully acted out and captured on celluloid thanks to stellar performances from everyone involved.

Suspect X (容疑者Xの献身) Review

Hiroshi Nishitani’s Suspect X is uniquely positioned at the crossroads of mainstream popularity and the more artsy avant-garde, making it easy to recommend to serious Japanese cinema aficionados and more casual film buffs alike.

Strayed (Заблудившийся) Review

From Boratland comes Akan Satayev’s bold new supernatural thriller Strayed (Zabludivshijsya), an eerie, atmospherically rich effort of unprecedented quality for Central Asian productions in the genre.

Eastern Plays (Източни пиеси) Review

Part of the nascent renaissance in Bulgarian cinema, exemplified most prominently by Stephan Komandarev’s Oscar contender The World Is Big and Salvation Lurks Around the Corner (2008), Kamen Kalev’s new film Eastern Plays offers a much-needed fresh take on the modern Eastern European experience.